GASPRO International Journal of Eminent Scholars

Ibibio art has not had comprehensive documentations of defining qualities. There has not been highlights or analyses of Ibibio art in art analogies, just some few documentations on different arts by Ibibio. There is a dearth of comprehensive documentation on the subject. Structural and philosophical components are ingredients that define the artistic identity of any people. Structural contents of art are the elements and principles that array for identification through physical components. Such components include symbols and icons, colours, depth, and their interpretations for understanding. Alternately, the philosophical insights include the unseen ethics, customs, traditional implications, metaphysical, and epistemological standpoints. This study features the structural and philosophical insights of arts of the Ibibio, an ancient people of Nigeria and Cameroun, recognised as some of the earliest settlers in the regions. It investigates the purposes and implications, and what transpires as Ibibio art, and analyses its categorisations and contents. This study contributes to knowledge at interdisciplinary scopes of visual, and theater arts, literary studies, and anthropology. The knowledge promotes aspirations through art practice and innovation as community members build upon shared ideas and traditions. This in turn supports regional economy through tourism, cultural events, art sales, and the creative industry, and articulates to preserve the communal heritage of the people. Primary and secondary data sources are used in the descriptive essay, whose findings include that a purposeful synergy of artistic components can promote social impacts and drive economic growth.